Its clear and accessible entries cover a comprehensive range of terms including: - aesthetics - canon - culture - deconstruction - ethnicity - identity - subjectivity - value - work Fully cross-referenced and with suggestions for further reading, this is an essential resource for all students of music. Author : T. It spans forms in use before through forms and techniques in use today. Anthology of Musical Forms provides musical examples of forms treated in Structure and Style.
Some examples are analyzed throughout. Most are left for the student to analyze. These books reflect Leon Stein's impressive background as student, musician, and composer.
He earned M. Mus and Ph. D degrees at DePaul University and was associated with its School of Music as director of the Graduate Division and chairman of the Department of Theory and Composition until his retirement in He has composed a wide variety of works, including compositions for orchestra, chamber combinations, two operas, and a violin concerto. These moments are crucial to the therapeutic process, and there is increasing interest amongst music therapists in understanding how they come about and whether there are ways of initiating them.
The contributors to this groundbreaking book look at methods of micro process analyses used in a variety of music therapy contexts, both clinical and research-based. They outline their methods, which include using video and audio materials, interviewing, and monitoring the client's heart rate, and also give examples of the practical application of microanalysis from their clinical experience, including work with clients who have psychiatric illness, autism and other conditions.
Microanalyses in Music Therapy provides a wealth of important theoretical and practical information for music therapy clinicians, educators and students. Author : Christian V. This book includes everything you want to know about the core competencies of songwriting, elements of music, and lyrics.
Features include writing song lyrics, crafting musical compositions, musical styles, getting a contract, sustaining a career, publishers and agents, recording, and even how to survive in the music industry.
Princeton: Summy- Birchord Music, Also has companion anthology. Straus, Joe. Music by Women for Study and Analysis. Toch, Ernst. The Shaping Forces in Music. Tovey, Donald F. London: Oxford University Press, Essays in Musical Analysis seven volumes.
The Forms of Music. New York: Merdian, Van Ess, Donald H. The Heritage of Musical Style. White, John D. The Analysis of Music, 2nd ed. Metuchen, N. Xenakis, Iannis. Formalized Music. Bloomington: Indiana University Press, Yasser, Joseph. Theory of Evolving Tonality. Zuckerkandl, Victor. Sound and Symbol: Music and the External World.
Princeton: Battinger Paperback, The Sense of Music. Princeton: Princeton University Press, Eastman Studies in Music 7. Rochester: University of Rochester Press, Blom, Eric. Brown, Maurice. Essays on Schubert. Busoni, Ferruccio. The Essence of Music and Other Papers. New York: Dover Publishing, Inc. Debussy, Claude and Ives, Charles. Three Classics in the Aesthetic of Music.
New York: Dover Publishing Inc. Cage, John. Middletown: Wesleyon University Press, Carter, Elliott. The Writings of Elliott Carter. Childs, Barney and Schwartz, Elliott, ed. Contemporary Composers on Contemporary Music. Copland, Aaron.
Copland on Music. Music and Imagination. New York: Mentor Book, What to Listen for in Music. New York: McGraw-Hill, Mentor paperback also.
Edwards, Allen. Farwell, Arthur, Stoner, Thomas, ed. Hanslick, Edward. Hindemith, Paul. New York: Doubleday Anchor Book, Ives, Charles. Essays Before a Sonata and Other Writings. Lesure, Francois and Smith, Richard Langham. Debussy on Music. Excellent volume for music students, scholars, and laymen emphasizes the continuity of basic musical principles with detailed coverage of major period styles and composers.
Over musical examples. Author : Edward T. James Mathes wrote this book due to a lack of textbooks written in the past dozen years on musical form. The relatively few texts on the market do not address recent scholarship or methodology, do not address phrase rhythm and formal processes in a systematic or thorough manner, and omit discussion of vocal forms and developments in post-tonal music of the 20th century.
There is also a lack of emphasis on aural comprehension of musical forms. Separate chapters on vocal forms and 20th-century music, inclusion of recent developments in analytic methodology with suggested readings, and aural exercises. Author : Lawrence M. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of musical organization.
The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy.
The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles. Nature and function of concerto, sonata, etc. It spans forms in use before through forms and techniques in use today. Anthology of Musical Forms provides musical examples of forms treated in Structure and Style.
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